Last week I came for the first time, after arrived in Luxembourg, to the Centre de Documentation sur les Migrations Humaines – a trés sympas building at the Gare-Usine, in Dudelange (it is very easy to get there), with space for exhibitions, conference room, library and an interesting archive (not only on Italian and Portuguese Migration!).
I will write more about this visit to the Centre Doc (this is, I realize, the abbreviation that the friends of the CDMH use 🙂 ) and the tour at the Quartier Italie I did yesterday in a further opportunity. By now, if you want a quick view n the Quartier, you can see this link from the Institut Europeen des Itineraires Culturels, or this 4 pages dossier, by Antoinette Reuter, who is herself a historian, collaborator of the Centre Doc, and has been engaged with the subject of migration for long time now.
Today I write to tell about the meeting they will have this Sunday, which has as a guest Emmanuel Mbolela, with an autobiographic book on his politic activities in the République Démocratique du Congo, and the huge repression that forced him to emigrate. A touching account on the violence and the exploitation he faced in his journey, crossing the Sahara, then arriving in Morocco, where he became co-founder of an association of Congolese refugees. After four years, he acquired refugee status in the Netherlands, where a new chapter began, with other experiences and challenges to face, as, for example, the extremely harsh working conditions, which are subject mainly immigrant workers.
Emmanuel Mbolela will tell us his story and a bit about the book in a especial lecture this Sunday (08/Nov), 15:00h, at the Centre de Documentation sur les Migrations Humaines. ALL INVITED! The event is bilingual, German and French.
I will be there.
If you want to be aware about the future cultural activities of the Centre Doc, subscribe yourself to the Newsletter / Liste de difusion here.
When you depart for Ithaca, wish for the road to be long,
full of adventure, full of knowledge.
from Ithaca (Ἰθάκη), by Konstantinos Kavafis.*
This is the first of a serie of posts I expect to share with you during the next three years of my life, which I will dedicate to my PhD research at the Digital History Lab (website coming soon) of the University of Luxembourg, under the supervision of Prof. Dr. Andreas Fickers. And you are welcome to follow the outstanding upcoming stories in the tag PhD Research Diary. 🙂
As all the new beginnings, this introductory post makes me feel a little bit self-reflexive. Looking at my life in the rearview, I would say now it is everything connected, from a very personal point of view. The first time I got interested in the subject of Digital History I was in Europe, more precisely, in Italy (where the above pottery is supposed to be found), for my first study experience abroad, at the Università Degli Studi di Firenze. Now, I am back to the Continent with another baggage experience, and a slightly better understanding of the importance of travels for our personal life stories, and (why not?) for the “big” History.
I like that now, beyond be researching something that, I hope, will be useful to my colleagues working in the field of History in a near future, I will also be working directly with people, either because this project is also a public history project, either because I will be using oral history methods. Or, yet, because, afterwards, I hope my research can bring some effective contribution to the reality of so many people who have ever experienced what it is to be an immigrant. Well, it is actually bold to say that, but one can always dream (and I have some affinity with John Lennon).
I say that because, in this PhD, the investigation about the consequences of digital technologies, new tools and methods for the historiographical operation is not the unique propose of my research. Now, in addition to the issues that I was already asking myself in the last years, partly present in my Master Thesis, completed at the Federal University of Rio de Janeiro, I got many new things on my plate, just to mention a few keywords: migration, memory, oral history, public history… and all the whole new worlds each topic can unfold to me. I am still familiarising with new literature and trying to find myself in this new scenario. I am curious and anxious to know what is to come. At the moment, the plan is developing a more detailed version of the research project Shaping a digital memory platform on migration narratives? A public history project on Italian and Portuguese migration memories in Luxembourg. I hope to have it done, including a research timeline and a well structure writing plan by the end of this first semester. In this meanwhile, there will be other posts here, but you are free (and I would be pleased) to send me questions, suggestions, critics or just a “hello/salut/moien!” at any time you like. I would really appreciate to receive comments and advice, specially in what concern migration History, Italian and Portuguese emigration/immigration to Luxembourg. So, please, don’t hesitate to leave a comment or writing me an e-mail if you have an idea (all ideas are good, until proven otherwise).
Of course, all this novelty can be frightening, to some extent, but at the same time, it is so fascinating to have the opportunity to dive in a very different thing. Not to mention that I am changing too, I moved from Rio de Janeiro to Luxembourg Ville, I left my family, friends and cats, I am learning a new language, dealing with different weather, enjoying other landscapes, aromas and flavours… and this can sound hard, but actually it is way exciting! I have to grow up here, and this is probably the major challenge beyond everything. It is hard, but so good to go out of inertia. And, at the end, I think I am a lucky person: it is not so far from my family in Florence and, also for academic reasons, I have some very special people to support me in Europe at the moment.
Perhaps I should apologize for the intimate tone of a post that is supposed to open a new tag on my professional life (oh, that sounded philosophical!). But as I will argue later about the importance of seeking certain hybridism on the combination of historiographical traditions with the new digital history, here too I think it is somewhat necessary to think about personal and professional life together. It’s so difficult to separate the “Anita-Anita” from the “Anita-historian”, it is everything connected. I hope you do not mind. I promise, next time, give less attention to my personal matters. After all, you do not want to know, for example, how I feel having to turn on the heater in October. As my ex-supervisor used to say, sometimes I just need to remember that words are to say something, not “to flourish” it. Thank you, Dilton! Also that lesson you taught me, but you also taught me to be rebel, and here I am. But I hope, for this first post, everybody will forgive me, even Prof. Dr. Dilton Maynard.
*I could do anything unless remember Kavafis/Cavafy’s poem when I started to write this post, which in turn, reminds me of Professor Manoel Luiz Salgado Guimarães (for those who read Portuguese, see here), whose work, teaching and passion for history inspired me a lot. He show us – the undergrad students at that time – this poem in one of his last lessons, in his last course. I will never forget. And this inspiration is undoubtedly enough to give me the determination to face whatever is coming, in the better way as possible, with a good feeling in the heart, and seeing things with good eyes, keeping Ithaca always in my mind.
PS: I have to thank my office mate Max Kemman for the brilliant idea of working with some music in the background. It was just perfect to finish this post listening to Caetano Veloso’s Transa, an album from 1972, when Brazil were under the military dictatorship, and Caetano had to spent some time in a political exile in London. Caetano was right, it is a long, long, long way.